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Kinefinity MAVO LF Core Pack

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CAD$ 15,999.00 CAD$ 7,499.00
CAD$ 14,999.00

MAVO LF, new and large-frame cine camera, 6k 75fps with 5120/800 Dual Native ISO brings stunning details, organic image and exceptional image quality, which not only shows cleaner images but provides wider viewing angles, shallower depth of field, and more immersive presence. Furthermore, body weights only 990g. Full-frame 3:2 CMOS image sensor with 6K+ record resolution (even up to 24 million pixels with open gate recording), it works up to 75fps @6K Wide, 100fps @4K Wide and 200fps @2K wide and records ProRes4444XQ or compressed RAW as cDNG in-cam directly, to get a fast and smooth post workflow.

Large Format Camera: Whole New Perspective

MAVO LF is equipped with a full-frame CMOS image sensor, effective area as 36x24mm, resolution is more than 6K: 6016×4016. Compared to the S35 format sensor, the large format CMOS sensor is 2.25 times larger, the exposure area is bigger, the single pixel pitch is larger, the SNR is better, then the picture is cleaner. In addition, large format offers a wider perspective, shallower depth of field and more immersive presence. You can use not only cinema lenses designed for large format like MAVO Prime, CP3, Cooke S7i, Arri Signature Prime and Zeiss Signature Prime, but also a large number of existing full-frame still camera lenses.

Dual Native ISO: 5120/800

MAVO LF’s whole-new full frame CMOS imaging sensor, not only brings much larger pixel size, but also has dual native ISO: 5120 and 800. The noise performance of the big guy is much better than TERRA 4K. You can trust on its native 5120 ISO when low-light even no-light cases. It helps indie filmmakers get the jobs done much easier and economically.

Super Lightweight: One-man band

Even though MAVO LF adopts 6K+ image record and whole new low noise and high speed CMOS image sensor, weight of camera body is only 990g; its size is only half or third of other MINI cinema cameras. Due to its small form factor close to DSLR, MAVO LF works well with many gimbals, and also lowers the requirements on accessories, handheld operation for one-man band. With SideGrip and 5″ fullHD KineMON, MAVO LF is ready for shooting. MAVO LF works up to 60-100min with its lightweight GripBAT (compatible with BP-U30).

Super-Fast Post Workflow: ProRes or cDNG

MAVO LF records up to 4K ProRes4444XQ even 6K ProRes4444 directly to get a super-fast workflow with very high quality footages: Apple ProRes is much better than codecs based on H264, and compatible with all post-workflow softwares. It also records compressed RAW as cDNG without external recorder. cDNG returns again in the form of an adjustable compression ratio. Current firmware supports three different compression ratios, 3:1, 5:1 and 7:1 respectively and all of them can get super image quality and enough room for grading. Davinci Resolve supports cDNG natively so that the RAW footage can be directly imported, edited and graded in DaVinci Resolve, simplifying the RAW workflow greatly.

Different Accessory Packages

Further optimization on accessory packages: basic package is renamed to Handheld package; two entirely new options called Core package and Production package (based on Core package) are added. These changes allow for more convenience to our users and to assure they get all the necessary elements of a powerful kit best suited to their needs.New accessories package options and MSRP including MAVO LF camera body as follow:



Image Format Format Resolution Max FPS Codec
Full Frame 6K Wide 6016x2520 75 ProRes or RAW
6K DCI 6016x3172 50 ProRes or RAW
6K HD Wide 5760x2400 75 ProRes or RAW
6K HD 5760x3240 50 ProRes or RAW
6K Open Gate 6016x4016 40 ProRes or RAW
4:3 FF Anamorphic 5376x4016 40 ProRes or RAW
6:5 FF Anamorphic 4864x4016 40 ProRes or RAW
4K HD Wide (Oversample) 3840x1600 75 ProRes
4K HD (Oversample) 3840x2160 50 ProRes
3K HD Wide (Oversample) 2944x1200 75 ProRes
3K HD (Oversample) 2944x1620 50 ProRes
S35 5K Wide 5120x2160 80 ProRes or RAW
5K DCI 5120x2704 60 ProRes or RAW
4:3 S35 Anamorhpic 4096x3072 50 ProRes or RAW
1:1 S35 Anamorhpic 3072x3072 50 ProRes or RAW
4K Wide 4096x1720 100 ProRes or RAW
4K 4096x2160 75 ProRes or RAW
4K HD Wide 3840x1600 100 ProRes or RAW
4K HD 3840x2160 75 ProRes or RAW
M43 3K Wide 3072x1200 150 ProRes or RAW
3K 3072x1620 100 ProRes or RAW
3K HD Wide 2944x1200 150 ProRes or RAW
3K HD 2944x1620 100 ProRes or RAW
S16 2K Wide 2048x860 200 ProRes or RAW
2K 2048x1080 150 ProRes or RAW
2K HD Wide 1920x800 200 ProRes or RAW
2K HD 1920x1080 150 ProRes or RAW

Note: Frame Rate can be adjusted as 0.2~MAX fps, step accuracy of 0.001fps.  Note: ProRes4444 and 4444XQ does not apply for all resolution and fps. 

Camera Type Large Format Digital Cinema Camera
Imaging Sensor 6K 3:2 Full FrameFormat CMOS Active area: 36x24mm
Lens Mount Native KineMOUNT as omni mount to be PL/EF/SONY E by solid mounting adapters *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E
ISO Dual Base ISO Max
5120(from 2000) 800(below 2000) 20480
Shutter Angle 0.7°~358° with rolling shutter
Dynamic Range >14 stops
Full Frame FF 6K Wide 6016x2520, 0.2~75fps Active size: 36x15.2mm, ø 39.1mm
FF 6K 6016x3172, 0.2~50fps Active size: 36x19.1mm, ø 41.0mm
FF 3:2, Open Gate 6016x4016, 0.2~40fps Active size: 36x24mm, ø 43.3mm
FF 4:3 Ana 5376x4016, 0.2~40fps Active size: 32x24mm, ø 40.0mm
FF 6:5 Ana 4864x4016, 0.2~40fps Active size: 29x24mm, ø 37.7mm
S35 S35 4K Wide 4096x1600, 0.2~100fps Active size: 24.5x9.6mm,  ø 26.3mm
S35 4K 4096x2160, 0.2~75fps Active size: 24.5x12.9mm,  ø 27.7mm
S35 5K Wide 5120x2160, 0.2~80fps Active size: 30.5x12.9mm,  ø 33.2mm
S35 5K 5120x2704, 0.2~60fps Active size: 30.5x16.2mm,  ø 34.6mm
S35 4:3 Ana 4096x3072, 0.2~50fps Active size: 24.4x18.3mm,  ø 30.6mm
S35 1:1 Ana 3072x3072, 0.2~50fps Active size: 18.3x18.3mm,  ø 25.9mm
Other Cropping 3K Wide 3072x1200, 0.2~150fps
3K 3072x1620, 0.2~100fps
2K HD Wide 2048x860, 0.2~200fps
2K HD 2048x1080, 0.2~150fps
Record Format Codec Type Codec Format Bit Depth
Compressed cDNG .dng 12bits 3:1/5:1/7:1
Compressed KineRAW 2.0 .krw 12bits 2:1~10:1, *Schedule 2019
ProRes422HQ/422/LT/Proxy .mov 10bits
ProRes4444 .mov 12bits up to 6K 30fps
ProRes4444XQ .mov 12bits up to 4K HD 48fps
Monitoring Video Port x2 HD Port x1 SDI x2* *Applicable on KineBACK-W *Slot for Wireless Tx on KineBACK-W
Record Media 2.5" SSD with 7mm Height
Audio Capture In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR *Applicable on KineBACK-W
Sync Function Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* *Applicable on KineBACK-W
LUT Preset: Neutral, Support Custom 3D LUT
Power Power In Consumption
DC IN 11~19V/SideGrip/V-Mount* 23W *Applicable on KineBACK-W
Body Color Deep Gray
Weight 2.1 lb / 990 g *Only Body
Size 4.5x4.3x3.7" / 115x110x95 mm *w/o projections, WxHxL
Operating Temp 0°C to +40°C


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